JAMES BRITTON - WOODCUTS James
Britton began experimenting with woodcuts around 1900, when he was
asked to draw the design for a poster for the Connecticut League of Art
Students, shown below. The engraver who was to cut the
block thought Britton's drawing too complicated for his skills, so
he handed his tools to Britton and suggested he cut it himself, which
he did. The early woodcuts came to the attention of noted print
authority Frank Weitenkampf, who acclaimed them in The Art Interchange and American Graphic Art. ![]() Detail from the League Poster, c. 1900 ![]() Self-Portrait, c. 1900 In
1926, Hartford bookseller and publisher, Edwin Valentine Mitchell,
asked Britton to do woodcuts of American literary giants, which were
subsequently reproduced in Mitchell's literary magazine, Book Notes.
Always short of funds, Britton used whatever materials were on
hand for his woodcuts--a board from his desk used as the block for one,
carving the blocks with a Gillette razor blade, and printing the
finished blocks on grocery store paper bags. ![]() Edgar Allan Poe, 1926 ![]() Walt Whitman, 1926 ![]() Nathaniel Hawthorne, 1926 ![]() Ralph Waldo Emerson, 1926 ![]() Mark Twain, 1926 ![]() William Dean Howells, c. 1927 ONLINE GALLERY Early Landscapes Long Island Landscapes Connecticut Landscapes Portraits Woodcuts OTHER USEFUL LINKS Exhibition History James Britton Papers at Archives of American Art Work in Public Collections Home Text and images copyright Britton 2013. All rights reserved. For inquiries and sales, please contact us at: JamesBrittonArt@earthlink.net (212) 799-0711 (Barbara) or (805) 650-9107 (Ursula) |